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EMILY CARR

I woke this morning with “unity of movement” in a picture strong in my mind. I believe Van Gogh had that idea. I did not realize he had striven for that till quite recently so I did not come by the idea through him. It seems to me that clears up a lot. I see it very strongly out on the beach and cliffs. I felt it in the woods but did not quite realize what I was feeling. Now it seems to me the first thing to seize on in your layout is the direction of your main movement, the sweep of the whole thing as a unit. One must be very careful about the transition of one curve of direction into the next, vary the length of the wave of space but keep it going a pathway for the eye and the mind to travel through and into the thought. For long I have been trying to get these movements of the parts. Now I see there is only one movement sweeping out into space but always keeping going — rocks, sea, sky, one continuous movement.

Hundreds and Thousands: The Journals of Emily Carr 1966



PERIOD / STYLE: The Landscape (1933-1939)

INSCRIPTIONS RECTO (FRONT): Signature: M. E. CARR

EXHIBITION HISTORY

1971 Emily Carr: a centennial exhibition celebrating the one hundredth anniversary of her birth organized by the Vancouver Art Gallery travelling to the Montreal Museum of Fine Arts and the Royal Ontario Museum, Toronto (cat. 99)

1982 Emily Carr: Sky Paintings Art Gallery of Greater Victoria (cat. 2)

2006 - 2008 Emily Carr: New Perspectives on a Canadian Icon collaboration between the Vancouver Art Gallery and the National Gallery of Canada, Ottawa travelling to the Art Gallery of Ontario, Toronto, the Montreal Museum of Fine Arts, and the Glenbow Museum, Calgary (cat. 130)

PROVENANCE

Douglas M. Duncan
Picture Loan Society
Gift from the Douglas M. Duncan Collection to the Art Gallery of Ontario, Toronto, 1970

LOCATION: Victoria map